KM-256
In 1922, mandolin designs began to change, as did the musical tastes of the time. The greatest Acoustic Engineer of the day began to develop designs that incorporated F-shaped sound holes instead of the Oval-hole designs that ultimately tightened-up the airy, woody nature of the traditional A-shape, and accentuated the treble frequencies often lacking in previous designs. All combined, these instruments offered the musician better balance and greater volume to meet the ever-changing musical styles to come.
| Back and Side Material | Solid Maple |
|---|---|
| Binding | Ivoroid |
| Body Style | A-Model |
| Bridge Material | Rosewood with Adjustment Wheels |
| Fingerboard Binding | White ABS |
| Fingerboard Inlay | M-O-P Dots |
| Fingerboard Material | Rosewood |
| Finish | High-gloss Transparent Brown Nitrocellulose |
| Neck / Body Joint | Dovetail |
| Neck Material | One-piece Maple |
| Number of Frets Clear | 14 |
| Number of Frets Total | 22 |
| Nut Material | Bone |
| Nut Width | 1 1/8" |
| Peghead Inlay | Vintage Wreath white pearl and pearl Kentucky script |
| Peghead Overlay | Snakehead Rosewood |
| Pickguard | Black/White/Black ABS with beveled edge |
| Plating | Nickel-plated / Pattern and Logo Stamped |
| Scale Length |
13 7/8" (352.40mm) |
| Scale Length | |
| Sound Hole Shape | Traditional F-Hole |
| Tailpiece | Nickel-plated with coverplate and leather insert |
| Top | Solid Spruce |
| Top Purfling | None |
| Truss Rod | Traditional 2-screw black ABS |
| Tuning Machines | High-quality tuning machines with white buttons |
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