| RD-26
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| RD-26-SN
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| ROS-626
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| Recording King ROS-626 Guitar |
The first model in the Century Series, the ROS-626, is accurately replicated from a 1902 original. With a hand-buffed nitrocellulose finish, and a 12th fret neck joint for a robust sound and comfortable playability. |
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| ROS-606
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| Recording King Acoustic Guitar ROS-606 |
Recording King Century Studio guitars illustrate the relentless pursuit of classic tone. No element has been overlooked in assembling one of the best sounding 12th fret guitars available. |
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| RDJ-27-SN
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| Recording King RDJ-27 Jubilee Guitar |
Every last detail has been considered in developing the Recording King Century Jubilee Series. From the attention to the neck profile to the hand-fitted dovetail neck joint to the peghead angles, these guitars represent the most careful and exquisite crafting techniques of the Recording King workshop. |
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| RDJ-26-SN
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| Recording King RDJ-26 Guitar |
The RDJ-26 Century Jubilee Series dreadnought is a perfect example of Recording King's classic design and handcrafted assembly. With a solid Sitka spruce top and all-solid African Mahogany back and sides, this guitar has all of the warmth and projection players could want. Finished in classic nitrocellulose lacquer, this guitar has the vibe of a vintage collectible, but you won't be afraid to take it out of the house. |
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| ROS-627
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| Recording King 627 Acoustic Guitar |
The ROS-627 features solid Indian Rosewood back and sides, a solid Sitka Spruce top, and a Nitrocellulose finish. The neck is a one-piece mahogany with a vintage V profile. The tuners are Grover Butterbeans and there is a slotted headstock. |
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| ROS-647
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| Recording King Acoustic Guitar Century 647 |
Built from the same hand-selected East Indian Rosewood as the other guitars in the Century Studio Series, the ROS-647 adds hand-inlaid abalone purfling to the body and rosette. For fingerpickers who want a guitar that looks as amazing as it sounds, the ROS-647 is a perfect choice. |
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| ROS-616
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| Recording King Century Studio Mahogany |
The Nitrocellulose lacquer finish is dried for 8 weeks in order to insure that the lacquer is properly bonded to the wood. Both the gloss and matte finishes allow the guitars to sing powerfully and clearly. |
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| RDJ-16-SN
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| Recording King Guitar Jubilee RDJ-16 |
The Century Jubilee Series dreadnought RDJ-16 has all of the same classic design elements as the rest of the Century Jubilee guitars, but at a price tag within the reach of any player. With a solid spruce top, mahogany back and sides and a vintage sunburst finish, the RDJ-16 has lots of classic vibe and the sound to back it up. |
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| ROJ-16-SN
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| Recording King Guitar 000 ROJ-16 |
The Century Jubilee Series 000-style ROJ-16 has all of the same classic design elements as the rest of the Century Jubilee guitars, but at a price tag within the reach of any player. With a solid spruce top, mahogany back and sides and a vintage sunburst finish, the ROJ-16 has lots of classic vibe and the sound to back it up. |
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| RDJ-25-SN
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| Recording King Acoustic Guitar Maple |
The Century Jubilee Series RDJ-25 dreadnought gets its bright, unique flavor from its all-solid Maple back and sides. The hand-rubbed nitrocellulose lacquer finish accentuates the sound of the solid Sitka spruce top coupled with the brightness of the maple body. |
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